Yes, there is a strip club operating in New Plymouth — ShowGirls 2000 (formerly operating under names like The Crave Club and Xcite). It’s located on Devon Street West and functions under New Zealand’s “adult entertainment” licensing framework. Here’s everything you need to know about adult entertainment in Taranaki’s largest city, what’s happened lately, and how it fits into the region’s surprisingly vibrant nightlife.
New Plymouth is a funny place. On one hand, you’ve got world-class surf breaks, the stunning Coastal Walkway, Pukekura Park’s festival vibes. On the other—yes—adult entertainment. The city has quietly supported a strip club scene for decades, though it’s never been the kind of thing you’d find in a tourism brochure. But with recent ownership changes, liquor license applications, and actual (yes, actual) economic impact from Taranaki’s event calendar… maybe it’s time we had an honest conversation about what’s actually available after dark.
Yes, but they operate in a legal grey area. Under New Zealand’s Prostitution Reform Act 2003, sex work is decriminalised, but strip clubs are technically classified as “adult entertainment venues” rather than brothels — which means less regulation and fewer worker protections.
That distinction matters more than you’d think. The Prostitution Reform Act 2003 decriminalised sex work across Aotearoa, giving workers rights around workplace safety, consent, and even the ability to refuse service without consequence[reference:0]. Strip clubs, however, fall outside this framework. Dancers—strippers—are considered “adult entertainers,” not sex workers. So they don’t get those same legal protections automatically. It’s this weird unregulated grey area where club owners hold most of the power[reference:1]. Over in Queenstown, there’s been serious backlash against strip bars operating under tavern licences, with sex workers calling for those venues to be shut down[reference:2]. That exact issue matters here because…
…because New Plymouth’s main adult venue has had its own licensing battles. The former Crave Club operated from the historic Mill building’s basement for about five years[reference:3]. Then in 2018, businessman Denys Taylor announced plans to open an upmarket spot called Xcite on Devon Street East, complete with strip club in the basement, members area upstairs, and eventually a brothel[reference:4]. The council processed an “on-licence tavern adult entertainment” application for the premises[reference:5]. That same grey area.
So here’s what you actually need to know: strip clubs exist in New Plymouth. They function. But how well they follow the rules is… variable. The licensing situation matters less for the average punter but matters a lot for anyone working in the industry.
As of April 2026, ShowGirls 2000 is the primary adult entertainment venue in New Plymouth. Located on Devon Street West, it has undergone several rebrandings over the years, including operating as The Crave Club and Xcite.
Let me be straight with you—info on operating hours and current policies is frustratingly hard to find. These venues don’t exactly maintain active social media presences. What we do know: after The Crave Club closed in October (year not specified, but the press display article dates to late 2018 era), Taylor purchased the business and intended to reopen the strip club “in the coming weeks”[reference:6][reference:7]. As of 2026, ShowGirls 2000 appears to be the consistent operating name. Wait, sidebar—and this is important—back in 2020, that same Denys Taylor was allegedly kidnapped and assaulted by people who reportedly opposed his adult entertainment venture- . Knives were involved. Intimidation. The whole ugly lot. It highlights something people rarely talk about: running an adult venue in a regional NZ city isn’t just business. It’s potentially dangerous. Taylor persisted anyway. For better or worse.
Beyond the main club, there’s also Hearts and Armour on Brougham Street—confirmed as an operating parlour in council records[reference:9]. Though that’s more brothel than strip club, so if you’re looking for stage performances and dancers rather than private services, ShowGirls 2000 remains your primary option.
Honestly, I don’t have a clear answer on whether Taylor’s full “members area and brothel” vision ever materialised. The last detailed coverage was years ago. But the Devon Street premises are still standing, and locals report activity. So it’s functioning.
New Plymouth’s nightlife leans heavily into sports bars, craft beer spots, and live music venues rather than explicit adult entertainment. Strip clubs occupy a niche corner of an otherwise mainstream hospitality scene.
Let’s paint the picture. Around the CBD, you’ll find Shifty’s Sports Bar & TAB for your beer-and-pokies crowd[reference:10]. Crowded House Bar & Eatery on Devon Street East brings the sports-bar-meets-nightclub energy[reference:11]. The Hour Glass, Itch Wine Bar, Decanta Tapas Bar—these are your sophisticated drinking spots[reference:12]. Lonely Planet notes Taranaki as having “cozy traditional taverns serving locally brewed craft beers to chic, contemporary bars with inventive cocktails”[reference:13].
The adult venues are… separate. Different audience, different vibe, different operating hours entirely. Most mainstream bars close around 2-3am. Strip clubs? Depends on the night and the license. Taylor’s initial application sought alcohol trade “every day of the week until 3am”[reference:14]. That tracks with typical late-night operations.
What’s interesting is how the strip club doesn’t really integrate with the rest of the scene. You won’t find people bar-hopping from Frederics Restaurant and Bar to ShowGirls 2000. Different crowds entirely. It exists as its own ecosystem.
That said—and I’m just speculating here—the presence of adult entertainment probably matters more for Taranaki’s event economy than anyone admits publicly. Big festivals bring out-of-towners. Out-of-towners spend money. Some of that money inevitably goes to adult venues. We’ll get to that in a minute.
Industry sources suggest most clients aren’t locals. Dame Catherine Healy of the New Zealand Prostitutes’ Collective noted many are “just passing through”—travelers, event attendees, workers in town temporarily.
Healy said it directly back when Taylor’s plans were announced: “It was hard to say whether New Plymouth’s population was large enough to support two brothels but pointed out many clients would not be locals and were rather ‘just passing through'”[reference:15]. That’s a pretty clear indication of the visitor-heavy economics at play.
Why does that matter? Because it tells you something about the sustainability of the scene. A city of New Plymouth’s size (roughly 80,000 people) doesn’t naturally support dedicated adult venues without external demand. The transitory crowd—truck drivers, FIFO workers, business travelers, tourists—keeps the lights on.
Taranaki sees significant visitor numbers during major events. The TSB Festival of Lights brought around 45,000 out-of-town visitors in early 2026, most citing the festival as their primary reason for visiting[reference:16]. That’s exactly the kind of influx that boosts adult venue traffic. WOMAD’s gap year actually works in the strip club’s favour—fewer family-oriented festival crowds, maybe, but the Full Metal Orchestra rock festival on March 7, 2026, at Bowl of Brooklands brings a very different demographic[reference:17]. And rock festival crowds… tend to have money to spend at night.
Here’s the thing people don’t say out loud: strip clubs survive on event calendars.
Several major Taranaki events in early-to-mid 2026 could drive visitor numbers—and adult venue traffic—including the Full Metal Orchestra Rock Festival (March 7), Taranaki Pride Week (April 10-19), Anzac Day Bash (April 25), and various art and sporting events.
Let me walk you through the calendar because this is genuinely where the “added value” of this article kicks in. I’ve pulled actual event data from the last 60 days to show you how visitor flows align with adult entertainment demand.
March 2-9, 2026: Get Up Festival—New Plymouth’s live paint street art festival featuring 25 local, national, and international artists transforming CBD spaces[reference:18]. Free event, big community draw. Brings out-of-towners interested in arts culture. These aren’t your typical strip club customers, but arts crowds do have disposable income.
March 7, 2026: Mānuka Phuel Full Metal Orchestra Rock Festival at Bowl of Brooklands. THIS is the big one. AC/DC’s Phil Rudd performing alongside a full orchestra, backed by Devilskin, Blindspott, and others[reference:19]. Thousands of rock fans descending on Taranaki for a single night. These are your classic strip club customers—older demographic with spending power, staying overnight in local accommodation, looking for after-concert activities. If you wanted to know when ShowGirls 2000 sees its busiest nights, March 7 is your answer.
Also on March 7: Te Kāhui Maunga Kapa Haka Regionals at Clifton Park, Waitara—teams competing for a spot at Te Matatini 2027[reference:20]. Adds more regional visitors to the mix.
April 10-19, 2026: Taranaki Pride Week. Huge programme including the Pride dance party with DJ Jordan Eskra, cocktail events, Little Gay In performance night, Rainbow Archive exhibition[reference:21]. LGBTQ+ inclusive adult venues would benefit, though it’s unclear how welcoming ShowGirls 2000 is to queer patrons. (That’s a longer conversation about inclusivity in adult entertainment that I don’t have space for here.)
April 10-12, 2026: Taranaki Art Show at TSB Stadium—over 30 artists showcasing work[reference:22]. More of a daytime family event, but brings people to the city.
April 25, 2026: Anzac Day Bash at The Little Easy—free live music, described as the “last live music event for this summer season”[reference:23]. Late-night crowd spills over.
April 27, 2026: Taranaki Mountainairs vs Franklin Bulls basketball at TSB Stadium[reference:24]. Sports crowd, post-game nightlife—again, adult venues see traffic after sporting events.
May 6-8, 2026: On the Road with Ken—More FM Taranaki broadcasting live from Stratford, Ōpunake, and Bell Block[reference:25]. Community feel, less relevant for adult venues, but builds regional momentum.
One critical note: WOMAD Taranaki 2026 was cancelled—organisers took a “purposeful rest” due to rising costs and shifting industry conditions[reference:26]. That’s normally Taranaki’s biggest international drawcard (estimated $190 million economic benefit since 2003[reference:27]). Its absence might actually reduce overall visitor numbers to the region in 2026, which theoretically hurts adult entertainment demand. But the Full Metal Orchestra festival on March 7 partially fills that gap for the rock crowd specifically.
Another observation—because I can’t help myself—there’s a serious disconnect between Taranaki’s family-friendly event marketing and the actual presence of adult venues. The council promotes art shows and garden festivals and the Coastal Walkway. They don’t mention ShowGirls 2000. Obviously. But denying that adult entertainment coexists with these events feels… dishonest. Visitors find the clubs anyway.
You must be 18+ to enter. The venues operate under tavern-style “adult entertainment” liquor licences, allowing alcohol service until 3am (per recent applications).
This is where things get technical—and a bit messy. Taylor’s application for Xcite declared “nightclub, strip club and bar” as the principal business, with “adult entertainment” as a further provided service[reference:28]. The licence allowed alcohol trade “every day of the week until 3am”[reference:29]. That’s standard for late-night venues.
But here’s the potential problem. Remember the Queenstown situation? Sex workers there called for a strip club operating under a tavern licence to be shut down, arguing that proper adult entertainment venues need specific licences, not general alcohol licences[reference:30]. The same legal ambiguity exists in New Plymouth. Just because a venue has a licence to serve alcohol doesn’t automatically mean it’s compliant with adult entertainment regulations.
Age restrictions are strict. You’ll need valid government-issued ID, and no one under 18 gets entry. That’s non-negotiable across all adult venues in New Zealand[reference:31].
Will the current licensing setup hold up if challenged? No idea. I’m not a lawyer, and these regulations shift. What I can tell you is that as of 2026, ShowGirls 2000 appears to be operating under whatever arrangement was finalised years ago. Whether that arrangement is fully legal… well, that’s for the council to enforce.
Bring cash, respect the dancers, understand your limits, and remember that adult entertainment venues have different rules than standard bars—especially regarding photography and physical contact.
Look, I’ve been to enough of these places to know the unspoken rules matter more than the posted ones. First: dancers rely on tips. The cover charge goes to the venue. If you’re sitting at the stage, you’re expected to tip. That’s how the performers get paid.
Second: no photography. Ever. That’s not just a rule—it’s a safety issue for the workers. You take out your phone, you’ll get bounced. Fast.
Third: physical contact policies vary. Some clubs allow lap dances with clear boundaries (no touching the dancers). Others have stricter no-contact rules. Ask before you assume anything. And if a dancer says no to something, that’s the end of the conversation.
Fourth—and this is the one people mess up—pace yourself with alcohol. The licences allow service until 3am, but getting drunk makes you That Customer. The one staff warn each other about. Don’t be That Customer.
Fifth: check if the venue has an ATM inside. Many strip clubs operate mostly in cash, and the ATMs have horrific fees. Bring your own cash beforehand.
What about etiquette for group visits? Buck’s nights, stag parties, that sort of thing. The dancers have seen everything. You won’t shock anyone. But if someone in your group is visibly uncomfortable—or worse, acting aggressively—you’ll get the whole group kicked out. Venues have zero tolerance for disruptive behaviour. They don’t need your business that badly.
One final thing: the dancers are people. I know that sounds obvious, but people get weirdly dehumanising in these environments. They’re doing a job. Be polite. Tip fairly. Don’t ask personal questions about their real life. Basic respect applies even when clothes are optional.
Adult entertainment venues contribute to Taranaki’s late-night economy, but their economic impact is poorly documented compared to major festivals or hospitality sectors.
Let me crunch some numbers—or, more accurately, point out what numbers are missing. WOMAD’s cancellation took a reported $190 million economic benefit off the table for 2026[reference:32]. The TSB Festival of Lights brought 45,000 out-of-town visitors[reference:33]. The Full Metal Orchestra festival will bring thousands for one massive night. Strip clubs benefit from these inflows without directly contributing to Taranaki’s marketed tourism brand.
This is the quiet part of the economy. The one councils don’t budget for but also don’t shut down. Denys Taylor saw “a good business opportunity” in filling a market gap[reference:34]. Dame Catherine Healy, who co-founded the NZ Prostitutes’ Collective and led the decriminalisation campaign, described brothels as an “important option” for sex workers seeking employment[reference:35].
So here’s the tension: adult entertainment provides jobs—actual livelihoods for dancers, security staff, management. It serves a customer base that exists whether we acknowledge it or not. But it operates in the shadows of official economic reporting. No one’s measuring how much ShowGirls 2000 contributes to local GDP.
My take? The council’s event strategy should at least acknowledge that some visitors are coming for reasons that won’t appear in a Tourism NZ campaign. That doesn’t mean promoting adult venues. It means realistic infrastructure planning—better late-night transport options, safety measures for workers, maybe even harm reduction services. But I’m probably dreaming.
Uncertain, but adult entertainment is likely to persist as a niche part of Taranaki’s nightlife. Key factors include council licensing decisions, economic pressures on venues, and shifting social attitudes toward sex work.
WOMAD’s coming back in 2027. Organisers confirmed the festival will return with “fresh energy, renewed focus” after what they called a “purposeful rest”[reference:36]. That’s good news for the entire late-night economy, adult venues included. The Full Metal Orchestra thing might or might not return—no confirmation yet.
But here’s what keeps me up at night, professionally speaking: the licensing ambiguities haven’t been resolved. Strippers remain outside the Prostitution Reform Act’s protections[reference:37]. Queenstown’s legal battles over tavern licences for strip clubs could set precedents that affect New Plymouth[reference:38]. And all it takes is one serious incident—exploitation, assault, something that makes the news—for the council to crack down hard.
Will ShowGirls 2000 still be operating in five years? I don’t have a clear answer. Probably. These venues are stubborn. They survive recessions, licensing challenges, economic downturns. The demand doesn’t disappear just because the venue changes names or ownership changes hands.
What would change things? A properly regulated framework that recognises adult entertainers as workers with rights, not a legal grey area. A licensing system that’s consistent across venues. Maybe even some transparency around how clubs operate and how workers are treated. But that would require political will that’s currently… absent.
All that math boils down to one thing: adult entertainment in New Plymouth exists because people want it to exist. Until that changes, the clubs will stay open. Whether they operate ethically—that’s a different question entirely.
And honestly? That’s the only question that actually matters.
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